But the first time nOrikO tapped into romance à la française was her version of Jane Birkin’s “Quoi,” which appears near the end of Melting Moment. The bilingual cover song, which also draws English lyrics from the jazz standard “All of Me,” is driven by an omnipresent piano riff, downtempo breakbeats, string and guitar melodies,Read More
Lucy Railton’s new album Blue Veil isolates the moment when a cello’s bow makes contact with the strings and presents it as a miniature Big Bang, a crucible of tension and friction that burns fiercely on a level that’s too small to see. In a fascinating interview with German writer Stephan Kunze, the UK composerRead More
R.E.M. have shared a new benefit EP titled Radio Free Europe 2025. The five-track project includes a new remix of the band’s 1981 debut single, “Radio Free Europe,” reworked by producer and longtime R.E.M. collaborator Jacknife Lee. The EP is out now digitally, and a vinyl edition is out on September 12 via Craft. ProceedsRead More
Who could forget the strained hope of post-vaccination social life? Masks in the park. Elbow bumps. Portable hand sanitizer. The irrational belief that plexiglass partitions could fend off the COVID-19 virus as we dined indoors, as if swirling, microscopic vapor particles would halt and retreat like obedient soldiers. We later learned that breath aerosols simplyRead More
As Smerz, Catharina Stoltenberg and Henriette Motzfeldt are interested in the uncanny valleys and surreal messes of young adulthood, down to the Bama rush-meets-Blair Witch cover art of 2018’s Have fun EP. Their forthcoming new record, Big city life, is a series of nights out on the town plumed in cigarette smoke, and “Feisty” mightRead More
The TikTok begins with a video of YouTube music reviewer Anthony Fantano dissing underground artist Nettspend’s debut album, BAD ASS F*CKING KID, saying he’s “not really a super skilled rapper.” There’s a pause with a fabricated Wikipedia entry saying Fantano is of Jewish descent (the actual page says “Sicilian descent”), and then a barrage ofRead More
Not everything is quite so grim. After “Daffodils” comes “Let Me Be Wrong,” a buoyant anthem for recovering Type As on which McRae captures the striver’s greatest fear (“Somеthing twisted in my chest/Says I’m good but not the best”) and releases it to the wind (“When I was young, that knocked me out/But nothing reallyRead More
Lately, Bladee’s music has sounded like someone with a black hole in his stomach trying to irradiate his torment. Desperately reaching for the light, he’s exorcising his demons by recording a 30-track epic, reading books about alchemy and the occult and, for some reason, releasing an AI video game with James Ferraro and Microsoft. WithRead More
American instrumental guitarists often conjure sprawling frontiers, but those visions can confine them. William Tyler, among the tradition’s preeminent 21st century practitioners, has a diverse catalog—he’s released a rolicking, jammy rock LP; backed his trusted Martin acoustic with delicate brass; and let out billows of vaporous feedback on his solo recordings. Yet his relentlessly tunefulRead More
Koffee, who now goes by Original Koffee, is back with her first single since her debut album, Gifted. The comeback track, “Koffee,” is released via Promised Land Recordings and features production from Ghanaian beatmaker GuiltyBeatz. Watch the Joshua Valle–directed video below. “Koffee” follows a quiet spell for the Jamaican singjay and guitarist, who did theRead More
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