Noah Cyrus recently collaborated with Bill Callahan and XL Recordings’ Richard Russell on the song “Porcupine Tattoo.” Now, Miley Cyrus’ younger sister is staying in her indie bag through a new collaboration with Fleet Foxes. On her new single, “Don’t Put It All on Me,” Noah Cyrus duets with the band’s lead singer, Robin Pecknold.Read More
When Patterson Hood was 8 years old, he started writing songs. Bullied at school and making bad grades anyway, he jotted down lyrics in his notebook during class, even dreamed up a few concept albums. Around that same time, he became obsessed with Disney’s Pinocchio, memorizing full scenes and acting them out by himself inRead More
What’s that sound? Is it the first song of the summer? Is it “Relationships,” the featherweight, angst-filled new Haim track about a tortured silence in a long-term romance? Is it both, or it could be, maybe, if we just—no, wait, don’t answer that. Produced by Danielle Haim and Rostam, with single cover art inspired (withRead More
Lover Girl is nimble and fun, with pillowy vocals and cloudy beats. Pig sings about love in a way that’s real, leaning into both the irrational highs and lows that comes with the territory. On mixtape highlight “Even the Blind Can See,” she’s damn near clicking her heels together as she daydreams about her crush:Read More
Across Sasami’s first two albums, the Los Angeles songwriter drew impressively from a range of musical traditions: shoegaze’s wandering guitar riffs, nu metal’s gnashing arrangements, county-pop’s storytelling. The result was a dynamic, constantly evolving sound, which Sasami channeled to express introspection, frustration, and deep, almost mythological, yearning. On her new album, Blood on the SilverRead More
The theremin’s spooky, Soviet era-wail can conjure a panoply of vintage kitsch—lava lamps, The Twilight Zone, Edgar Rice Burroughs novels, awkward robots in black and white. From the groaning organ on Turnar’s opening track “Inni,” Hekla dispatches such stereotypes like a medieval henchwoman, asserting the mid-century instrument’s modernity and range. Since 2018’s Á, the IcelandicRead More
The first album that Loraine James recorded as Whatever the Weather advanced a novel concept: Each track was titled after a temperature reading on the Celsius scale, like “25°C” or “6°C,” meant to approximate the artist’s “emotional temperature” when she recorded it. You might imagine the tracklisting as a meteorological map, a patchwork of variegatedRead More
The latest California edition of Rolling Loud takes place on Saturday, March 15, and Sunday, March 16, at Inglewood’s Hollywood Park Grounds. All the performances across three stages will be broadcast on YouTube. The first Saturday performance begins at 4:45 p.m. Eastern Daylight Time, and the first Sunday performance starts at 3:45 p.m. Eastern DaylightRead More
Hardy’s press tours brought her to many faraway locales, from Tehran to Johannesburg to New York City, where she once perched atop a Formula 1-themed float during the Macy’s Thanksgiving Day Parade. On her second trip to Brazil, during the pivotal year of 1968, she befriended her assigned hostess and interpreter, a woman named Lena.Read More
Like the drag performers who inform her visual presentation, Chappell Roan knows that playing to the rafters is sometimes the best way to get at something deep and true. Think of how the schmaltzy hook of “Pink Pony Club” accentuates its camp fantasia, or how the bravura vocal theatrics of “Good Luck, Babe!” make itsRead More
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