The TikTok begins with a video of YouTube music reviewer Anthony Fantano dissing underground artist Nettspend’s debut album, BAD ASS F*CKING KID, saying he’s “not really a super skilled rapper.” There’s a pause with a fabricated Wikipedia entry saying Fantano is of Jewish descent (the actual page says “Sicilian descent”), and then a barrage ofRead More
Not everything is quite so grim. After “Daffodils” comes “Let Me Be Wrong,” a buoyant anthem for recovering Type As on which McRae captures the striver’s greatest fear (“Somеthing twisted in my chest/Says I’m good but not the best”) and releases it to the wind (“When I was young, that knocked me out/But nothing reallyRead More
Lately, Bladee’s music has sounded like someone with a black hole in his stomach trying to irradiate his torment. Desperately reaching for the light, he’s exorcising his demons by recording a 30-track epic, reading books about alchemy and the occult and, for some reason, releasing an AI video game with James Ferraro and Microsoft. WithRead More
American instrumental guitarists often conjure sprawling frontiers, but those visions can confine them. William Tyler, among the tradition’s preeminent 21st century practitioners, has a diverse catalog—he’s released a rolicking, jammy rock LP; backed his trusted Martin acoustic with delicate brass; and let out billows of vaporous feedback on his solo recordings. Yet his relentlessly tunefulRead More
Koffee, who now goes by Original Koffee, is back with her first single since her debut album, Gifted. The comeback track, “Koffee,” is released via Promised Land Recordings and features production from Ghanaian beatmaker GuiltyBeatz. Watch the Joshua Valle–directed video below. “Koffee” follows a quiet spell for the Jamaican singjay and guitarist, who did theRead More
Shortly after Adrianne Lenker’s arrival onstage at Portland’s Revolution Hall, the audience’s anticipatory silence turns giddy, breaking into warm laughter that wafts across the room like a rustling breeze. “Some really good giggles going on,” she says winkingly. “All I did is walk on.” Recorded over three nights and brimming with 43 tracks, Live atRead More
On first listen, Lunchbox’s rubbery melodies might seem like they belong in conversation with the post-Future internet rap that’s soundtracked mosh pits everywhere throughout the 2020s. But despite a few stylistic similarities, the emotion in his music feels more intimate, meditative, and soulful. “Nothing Gone Last,” from the Harlem native’s new tape, L.B. Cooper, isRead More
In defense of Coogler’s choice to pick Rod Wave for the theme, there are heavy messages attached to Sinners. The movie suggests that the Black American tradition can be carried on through the blues, and it reckons with the ideas of Black ownership and freedom, and the lengths white supremacy then and now has goneRead More
“Unfortunately, although it was not the intention, the selection of Kehlani as this year’s headliner has injected division and discord into Slope Day,” he continued. “For that reason, I am rescinding Kehlani’s invitation and expect a new lineup for a great 2025 Slope Day to be announced shortly.” Explaining his decision to remove Kehlani fromRead More
Every moment of Hysteria works at this scale. “In the beginning,” “White lights,” “A wild ride”—these are the respective opening words of its first three songs, each like a tagline for a blockbuster movie trailer. Most singles on Hysteria could be shaved by at least a minute and often were; “single edits” would ditch theRead More
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