Across Sasami’s first two albums, the Los Angeles songwriter drew impressively from a range of musical traditions: shoegaze’s wandering guitar riffs, nu metal’s gnashing arrangements, county-pop’s storytelling. The result was a dynamic, constantly evolving sound, which Sasami channeled to express introspection, frustration, and deep, almost mythological, yearning. On her new album, Blood on the SilverRead More
The theremin’s spooky, Soviet era-wail can conjure a panoply of vintage kitsch—lava lamps, The Twilight Zone, Edgar Rice Burroughs novels, awkward robots in black and white. From the groaning organ on Turnar’s opening track “Inni,” Hekla dispatches such stereotypes like a medieval henchwoman, asserting the mid-century instrument’s modernity and range. Since 2018’s Á, the IcelandicRead More
The first album that Loraine James recorded as Whatever the Weather advanced a novel concept: Each track was titled after a temperature reading on the Celsius scale, like “25°C” or “6°C,” meant to approximate the artist’s “emotional temperature” when she recorded it. You might imagine the tracklisting as a meteorological map, a patchwork of variegatedRead More
The latest California edition of Rolling Loud takes place on Saturday, March 15, and Sunday, March 16, at Inglewood’s Hollywood Park Grounds. All the performances across three stages will be broadcast on YouTube. The first Saturday performance begins at 4:45 p.m. Eastern Daylight Time, and the first Sunday performance starts at 3:45 p.m. Eastern DaylightRead More
Hardy’s press tours brought her to many faraway locales, from Tehran to Johannesburg to New York City, where she once perched atop a Formula 1-themed float during the Macy’s Thanksgiving Day Parade. On her second trip to Brazil, during the pivotal year of 1968, she befriended her assigned hostess and interpreter, a woman named Lena.Read More
Like the drag performers who inform her visual presentation, Chappell Roan knows that playing to the rafters is sometimes the best way to get at something deep and true. Think of how the schmaltzy hook of “Pink Pony Club” accentuates its camp fantasia, or how the bravura vocal theatrics of “Good Luck, Babe!” make itsRead More
No more waiting. No more refreshing Spotify. You’re not dreaming. Music is finally here. Music took about four and a half years to materialize, and Playboi Carti matches the long wait with his longest, most wide-ranging album—a nearly 77-minute record that boasts blockbuster features and makes official several fan-favorite snippets. Where Whole Lotta Red feltRead More
Lil Baby, Young Thug, and Future have released the music video for their collaborative WHAM song “Dum, Dumb, and Dumber.” It’s a rare on-camera appearance for Young Thug, who’s kept a low profile since being released from jail in the autumn. (He does, however, obscure his face with a mask.) Find the new video below.Read More
In October 2024, Haley Fohr, under her Circuit des Yeux moniker, released “God Dick,” an overwhelming barrage of texture accompanied by lyrics invoking the phallic divine. Dissonant strings balloon, giving way to colossal synthesizers, frantic programmed beats at 170 BPM, and, of course, Fohr’s flexile voice, notably able to span four octaves. “God dick inRead More
As he readies the release of the new Bon Iver album, SABLE, fABLE, Justin Vernon is also racking up some literary bona fides. Today, micro-distributed print magazine Little Engines announced that Vernon’s first-ever published poems will appear in its 10th edition. A sneak-peek of the issue partially reveals one of Vernon’s poems titled “Could’ve orRead More
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