Loraine James: Gentle Confrontation Album Review – Warungku Terkini

When James revisits an idea, which she does a couple of times, each second pass reveals her evolutionary process. “Glitch the System (Glitch Bitch 2)” takes up where “Glitch Bitch,” from her 2019 album For You and I, left off. While the rework keeps the earlier track’s mid-tempo kick and swing, it casts off the fixed 4/4 structure and dials up the fluttering synth pads and pillowy kicks, yielding a melodic push-and-pull that soars with abandon. Similarly, “Prelude of Tired of Me” offers a mumbling inner monologue and a bottom-heavy sketch of a beat, whereas “Tired of Me,” seven tracks later, arrives spruced up and with extra sass. What at first seems like reticence—Loraine is back, she mutters, but she’s not feeling it, doesn’t want to talk about it, doesn’t want to think about it—abruptly dissolves into soft golden light and the plucked tones of a pastoral sunbeam. “I left it all/And I wonder/How would I find the power again?” she harmonizes, delicately.

Gentle Confrontation is peppered with notable collaborations, perhaps in acknowledgement of the role that music plays in formative years, when metabolizing one’s own thoughts and emotions through the lyrics and gestures of others becomes so critical. James credits early-2000s indie-electronic acts Lusine and Dntel as inspirations, and you can hear their influence on “One Way Ticket to the Midwest (Emo)” which features Corey Mastrangelo of the math-rock band Vasudeva. Its lilting folktronica is sweetly calming, providing a moment of rest at the album’s midpoint. But across the sheer length and expansiveness of Gentle Confrontation, some collaborations—particularly the sleek, sophisticated ballads featuring Eden Samara and George Riley—don’t quite attain the same level of resonance. Though delicately sung and tastefully produced, both lack the sense of revealing transformation so convincingly conveyed at other points in the album.

In the album’s closing track, “Saying Goodbye,” Contour sings a telling line: “To look me in the eye is to know my strife.” His velvety timbre and gentle cadence smooth over James’ fractured synths and scratchy percussion. Along with the opening title track, it provides a poignant bookend to an album that refuses to draw a neatly conclusive arc. Instead, Gentle Confrontation offers an invitation to bear witness to a process that’s human, hard to define, and close to the heart.

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Loraine James: Gentle Confrontation

Loraine James: Gentle Confrontation

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