“Oh Allah” accentuates the interplay between Alice’s Wurlitzer and the violins, conveying a preternatural sense of drift. Rather than the four violinists entering en masse, there’s a natural fraying to this otherwise elegant sound. The strings switch between a monolithic mass of sound and a tactile messiness that imparts a visceral, live-wire energy. You wouldRead More
And whereas Sanders solos on soprano sax on the record, for this version, according to Michel’s notes, he plays flute, achieving a striking incantatory texture by vocalizing as he blows into the instrument, while Shepp plays soprano, bringing a bluesy pathos to the role. The longer running time gives both soloists plenty of room toRead More
And whereas Sanders solos on soprano sax on the record, for this version, according to Michel’s notes, he plays flute, achieving a striking incantatory texture by vocalizing as he blows into the instrument, while Shepp plays soprano, bringing a bluesy pathos to the role. The longer running time gives both soloists plenty of room toRead More
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