These are, appropriately, images of subsumption. In the McQuarrie Missions, Ethan Hunt—whose great-man exceptionalism fit tidily with director Brad Bird’s libertarian politics for 2011’s Ghost Protocol—has been marginalized, stalked, and nearly killed by the state for which he works. For a bunch of silly action movies, McQuarrie and Cruise’s read on the post-9/11 intelligence stateRead More
In early 2002, in a rented house in Northeast Los Angeles—one whose 1950s bomb shelter with 18-inch concrete walls had been refitted as a studio space—Madlib and MF DOOM began working, quickly and with little forethought or even communication, on what would become Madvillainy. The contractual terms had been scrawled on a paper plate; DOOMRead More
But “One Beer” is warm, bleary, and entirely engrossing; it also underlines—unsurprisingly given its title—the way DOOM’s style refracts through different illicit substances. In an interview with the Los Angeles Review of Books, Open Mike Eagle characterized his favorite rapper’s early style in a particularly incisive way. In discussing how DOOM became increasingly regimented overRead More
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