Deerhoof: Noble and Godlike in Ruin Album Review – Warungku Terkini
Leave it to Deerhoof to empathize with Frankenstein’s monster. The prolific quartet has spent much of its career finding beauty in ugliness: post-apocalyptic cave drawings, a child-snatching milkman, chirpy noise-pop blasts about crows and ducks and Satan and more Satan. Their records remain coarse, raucous, immune to the veneer of staid professionalism that tends toRead More
