This displacement of time and style is at the core of Hosono’s music, and is an extension of what appeals to him about exotica. (“It’s fun how it feels phony,” he said in 2020.) But beyond a giddy penchant for experimentation, he repeatedly complicates simple authentic/inauthentic dichotomies and notions of directional influence. “Hurricane Dorothy” isRead More
Haruomi Hosono is the sort of artist you keep rediscovering throughout your life. It may begin with Yellow Magic Orchestra, the pioneering synth-pop trio he formed with the late Ryuichi Sakamoto and Yukihiro Takahashi. Or it could start with his solo work, where he’s traversed everything from exotica to tape music to boisterous art pop.Read More
The English producers bring their otherworldly ability to bend time to the project. “Uchu Yuei (Swimming in Space)” sounds like what you’d expect from crossing the two musicians, but the building blocks are carefully placed; the track slowly gathers momentum as they tease the central rhythm, eventually letting it erupt into a skittish drum pattern.Read More
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