There’s a right way to love Tems, and it starts with sacrifice. On Love Is a Kingdom, she says “mine” (as in, “You’re mine”) a total of 69 times—70 if you count the one-off “you not mine.” Most of these instances—57, to be precise—reside in track “Mine,” but its reiterations reveal the kind of amorRead More
Photographs by Genesis Báez The concept of aging comes up in the album. How would you like to age together as a band? Krivchenia: I’ve always admired artists who, as they get older, go through these weird changes where their music becomes less relevant and they’re going in all these different directions. You can tellRead More
If IDLSIDGO became known as the Earl is sad album, there might be a tendency to label Live Laugh Love the Earl is happy now album, but it’s more complex than that. His excitement for marriage and fatherhood has the all too real fear of What if I fuck it all up? and yet, withRead More
This would sound like an overly cynical read had Anhedönia not spoken candidly about how much business shapes her work. “This is my livelihood… I do have to find the compromise of, we put out an album, I tour it, I make a pop song or two,” she said in a recent interview with TheRead More
In Together, we witness the hideous and sacred sides of devotion, interdependence, and absolute commitment. But the crux of the film is a metaphor that is so literal, it feels like Shanks jotted the central concept on a napkin but didn’t bother to flesh out his characters or the world they inhabit. Brie and FrancoRead More
In the past, Coelen has said he wants the soundtrack to “speak to and support the feelings that the people in the show are experiencing.” Case in point: Season 1’s couple’s retreat opens with singer Tom Bromley’s plaintive cut “In Soft Focus” and the lyrics, “I don’t wanna wake up/I wanna spend our whole lifeRead More
In Justin Vernon’s music as Bon Iver, beauty and meaning spring from disorienting sources: a howling falsetto, a heart-shredding guitar riff, a chorus of heavily panned woodwinds, a disintegrating synth patch, a confounding sample, a lyric that makes less sense the more you listen to it (I’m still parsing through “Honey in the hale couldRead More
Gracie Abrams was the musical guest on last night’s episode of Saturday Night Live, hosted by Chris Rock. The pop singer played “That’s So True” and “I Love You, I’m Sorry,” from her new album, The Secret of Us. Watch those performances and her SNL promo video with Rock and Heidi Gardner, below. Abrams hasRead More
Back in 2019, Arthur Ashin took to Twitter to explain why four years had passed since his most recent album as Autre Ne Veut, Age of Transparency. His grandmother had died. He’d made changes in his life; gotten a dog. But new work was on the way, he said: “still needs to be mixed andRead More
At a June event commemorating Anysia Kym’s Truest, DORIS rasped breathily over his own floor-rumbling tracks: a curious spectacle, considering that his “floor-rumbling tracks” are woozy bedroom ballads, less Mike Dean than Dean Blunt. Take “Usher,” the airy one-off single he dropped via MIKE’s 10k label three years ago. A languid Enchantment loop longs forRead More
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