Kathryn Mohr: Waiting Room Album Review – Warungku Terkini
Over the past few years, Oakland-based experimental electronic folk artist Kathryn Mohr has become something of a master in harnessing feelings of intense discomfort, infusing her grim synthesizer compositions with a lingering, impressionistic gloom. If 2022’s Holly EP was wispy, heavily influenced by the gauzy melancholy of its producer, Mohr’s Flenser labelmate Midwife, then herRead More
