Pregnancy changed Oklou’s mind as well as her body. “I feel like my consciousness has naturally, without me even trying, gotten rid of any source of stress and anxiety,” she told FKA twigs when the two artists spoke for Highsnobiety earlier this year. On “viscus,” from the forthcoming deluxe edition of Oklou’s debut album, chokeRead More
Halo was a loose concept album centered around the Patagonian folk legend of the “luz mala.” On DOGA, Molina’s fascinations have shifted from the paranormal to the paranatural. She cherry-picks synthetic textures that mimic the most terrifying sounds you can hear in your own backyard—a fisher cat’s cry, a coyote’s howl, the humming of aRead More
A decade and a half ago, Daniel Lopatin shelled out what might be the best hundred bucks he ever spent. On the internet, he’d come across a guy selling bootleg DVD compilations of decades-old TV commercials culled from Saturday-morning cartoons, daytime soaps, and late-night cable: Wrigley’s spearmint gum, Hershey’s chocolate bars, Heinz Alphagetti. Dated, kitschyRead More
Around that time, Doseone, the cLOUDDEAD member who guested on Appleseed’s final track, “Odessa,” had become an A&R for Mush, a small Cincinnati studio-turned-label that had put out a number of cLOUDDEAD 10-inches. In 1999, Dose approached Aes and brokered a one-album deal, the details of which were outlined in a simple three-page contract. AesRead More
Hüsker Dü just might be the most powerful rock band with the chintziest-sounding back catalogue, a cache of timeless songs entombed in dated low-budget production. Even as Hüsker Dü were expanding hardcore’s monochromatic palette with liberal splashes of ’60s pop, folk, and psychedelia, their recordings were still confined to quick ’n’ dirty DIY dimensions, withRead More
Rosalía doesn’t do small gestures. The Spanish pop maverick’s follow-up to MOTOMAMI was always going to be an event, and then she posted a video with the London Symphony Orchestra. “Berghain,” the lead single from her forthcoming new album, Lux, is all spectacle. Never before has Rosalía flexed her classical training this hard: composing inRead More
The first time I ever experienced butterflies in the pit of my stomach, I immediately went out and bought an Alka-Seltzer. Even for people who possess a stronger knowing of their hearts (or guts), one of the most basic human dilemmas is the question of how we justify our feelings to ourselves. Regardless of howRead More
This is a comeback story: a former “junkie, alcoholic” who lost control, now recovered and reborn, embracing the bliss and identity-making potential of music like never before. It’s a classic hip-hop underdog narrative, and this is very much a rap album, just adorned with a Splice pack’s worth of pixie-lated dust. Rave music is oftenRead More
In Ghetto Stories, a 2010 Baton Rouge hood flick that I like to think of as Trill Entertainment’s The Fast and the Furious, Boosie and Webbie are rivals from opposite sides of town. “You finna witness some other shit, nigga!” threatens Boosie at one point during a gas station confrontation, one of at least aRead More
In one of the finest moments of sequencing on this set, the next song up is “Boots of Spanish Leather,” an outtake from the Freewheelin’ sessions with Tom Wilson (Dylan would eventually re-record it for The Times They Are A-Changin’ in 1964). The contrast between the rousing chorus of “Blowin’ in the Wind” and theRead More
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