I didn’t get “Drop Dead” right away. The lead single from Olivia Rodrigo’s new album was somehow more frantic but way less fun than peppy predecessors like “Bad Idea Right?” or “Get Him Back!” Then I was strolling around Crown Heights at golden hour, a little wine-drunk and hopelessly infatuated with a boy who’d beenRead More
They never found a body. They never found a car. She left a note. But no one ever heard from her after that. The way I imagine it goes like this: August 1974. She’s in one of her house dresses, and there’s music playing on the car radio. Ann Arbor, Michigan, where she was livingRead More
Titles don’t come much more self-explanatory than “Sad Piano House,” which could double as the genre tag for the new loosie from Daphni, the dance alter-ego of Caribou’s Dan Snaith. The London-based musician crafted the song as fodder for his DJ sets last year, reworking elements from Cherry’s melancholy “Cloudy” into even more skeletal form;Read More
Isn’t it a little fun, sometimes, to be sad? On her fourth studio album as Japanese Breakfast, For Melancholy Brunettes (& Sad Women), Michelle Zauner luxuriates in the aesthetics of the titular emotion. Plush beds of strings recall days spent wallowing between the sheets—presumably silk—while sweeping references to Leda, Icarus, and Venus evoke heartache andRead More
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