Sinéad O’Connor knew what happened when she opened her mouth. “Songs are ghosts,” she wrote in her 2021 memoir, Rememberings, and to sing was to transform herself into a “ghost delivery woman.” O’Connor maintained a wry sense of humor about the wreckage these spirits could cause: After tracking the demo to “Troy” at record producerRead More
In June 1997, Sinéad O’Connor released Gospel Oak, a brief collection that stands among her finest work—and easily her most hopeful. “I’m finally on top of the hill, and I can see the other side,” she said upon its release, “whereas before I was right down the bottom.” The EP includes personal mantras that seemedRead More
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