But is anything ever so easy? The intricacy of Javelin is central to the essays and art accompanying the album: collages that overflow with faces of friends and family and heroes, paintings whose colors seem intended to combat Seasonal Affective Disorder. Many songs follow the path of these maximalist projects, beginning with gentle fingerpicking orRead More
Our weekly podcast includes in-depth analysis of the music we find extraordinary, exciting, and just plain terrible. This week Reviews Director Jeremy D. Larson hosts Associate Staff Writer Nina Corcoran and Associate Editor Sam Sodomsky to break down Sufjan Stevens’ latest album Javelin, which distills many of the sounds and themes he’s been chasing overRead More
On the second single from Sufjan Stevens’ upcoming album Javelin, the singer-songwriter pleads for something that we all want: unconditional love. The spare guitalin of the introduction might recall a younger Stevens, like the one who yearned over lost adolescent romance on 2005’s “The Predatory Wasp of the Palisades Is Out to Get Us!” BackRead More
On the second single from Sufjan Stevens’ upcoming album Javelin, the singer-songwriter pleads for something that we all want: unconditional love. The spare guitalin of the introduction might recall a younger Stevens, like the one who yearned over lost adolescent romance on 2005’s “The Predatory Wasp of the Palisades Is Out to Get Us!” BackRead More
Sufjan Stevens is so adept at quietly expansive chamber-folk that it’s a solace when he returns to this mode. “So You Are Tired,” the first single from Stevens’ upcoming Javelin—billed as his first true singer-songwriter album since 2015’s Carrie & Lowell—is close to the platonic ideal of a delicate Sufjan ballad, like 2004’s “To BeRead More
Sufjan Stevens is so adept at quietly expansive chamber-folk that it’s a solace when he returns to this mode. “So You Are Tired,” the first single from Stevens’ upcoming Javelin—billed as his first true singer-songwriter album since 2015’s Carrie & Lowell—is close to the platonic ideal of a delicate Sufjan ballad, like 2004’s “To BeRead More
Pada pertengahan Juni di Bard College’s Fisher Center di utara New York City, tiga pohon Natal digantung terbalik di atas panggung yang remang-remang. Sepanjang jalan, papan reklame menyatakan, “Selamat datang di Illinois.” Di dinding perancah, 13 musisi memainkan nada pembuka “The Man of Metropolis Steals Our Hearts,” sebuah highlight dari album 2005 Sufjan Stevens, Lowlights.Read More
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