R.E.M. had been a band for 24 years when they released their worst album, 2004’s Around the Sun, a record that magnified that aging act’s growing weaknesses and succumbed to sheer tedium. The National, perhaps not coincidentally, were also marking 24 years together when they released First Two Pages of Frankenstein in April this year.Read More
On the second single from Sufjan Stevens’ upcoming album Javelin, the singer-songwriter pleads for something that we all want: unconditional love. The spare guitalin of the introduction might recall a younger Stevens, like the one who yearned over lost adolescent romance on 2005’s “The Predatory Wasp of the Palisades Is Out to Get Us!” BackRead More
On the second single from Sufjan Stevens’ upcoming album Javelin, the singer-songwriter pleads for something that we all want: unconditional love. The spare guitalin of the introduction might recall a younger Stevens, like the one who yearned over lost adolescent romance on 2005’s “The Predatory Wasp of the Palisades Is Out to Get Us!” BackRead More
Helena Deland’s 2020 album, Someone New, studied the genesis of a relationship and the experience of dissociating along with it. All of it was lovely and intense, leaning on thudding synthesizers and heady, abstracted lyrics where Deland’s coo of a soprano is the centerpiece. “Bright Green Vibrant Gray,” the new single off of her upcomingRead More
In the 10 years since her last album, Marnie Stern has been a steady presence on TV as a member of Late Night With Seth Meyers’ house band. It rules that she got that NBC healthcare and steady paycheck, but every time the band’s plush and mellow indie rock wafted the show to ad break,Read More
Nearly 40 years into his career, DJ Premier is still making hard beats with both grit and elegance. This synthesis comes through in the thudding pianos and chimes that power Nas’ “N.Y. State of Mind,” or in the simmering sampled horns and deep drum breaks of the Notorious B.I.G.’s “Kick in the Door.” For hisRead More
Fievel Is Glauque aren’t afraid to be spontaneous. The experimental jazz pop duo wrote and recorded their newest single, “I’m Scanning Things I Can’t See,” on a Tascam cassette machine in one day and meant to re-record it; instead, they just released the demo in its raw form. In line with this fluid creative process,Read More
The art of the iconic music video has been, if not entirely lost to time, at the very least declining these past few years. Doja Cat is one of the form’s few remaining practitioners, and the clip for her new single, “Demons,” is a miniature horror film that’s creepier and more fun than pretty muchRead More
Mannequin Pussy’s Marisa Dabice once boasted that she “get[s] along with everyone I meet”; six years later, she no longer sees that trait as a virtue. On the Philadelphia band’s snarling new single “I Got Heaven,” she takes up spitefulness as a form of love. Fed up with Christian hypocrisy, Dabice anoints herself guardian angelRead More
Mannequin Pussy’s Marisa Dabice once boasted that she “get[s] along with everyone I meet”; six years later, she no longer sees that trait as a virtue. On the Philadelphia band’s snarling new single “I Got Heaven,” she takes up spitefulness as a form of love. Fed up with Christian hypocrisy, Dabice anoints herself guardian angelRead More
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