Since she reinvented herself with a scream on the remix of Charli XCX’s “Von Dutch” last year, Addison Rae has held my attention, maneuvering with such ease you forget she’s maneuvering at all. There is canny joie de vivre in her campy paparazzi shots, which find her pumping gas in a Saints flat-brim and nipRead More
In Justin Vernon’s music as Bon Iver, beauty and meaning spring from disorienting sources: a howling falsetto, a heart-shredding guitar riff, a chorus of heavily panned woodwinds, a disintegrating synth patch, a confounding sample, a lyric that makes less sense the more you listen to it (I’m still parsing through “Honey in the hale couldRead More
One way to describe the noise-rock band YHWH Nailgun is to say they sound best when playing in a dark, concrete, abandoned train tunnel in Bushwick. Their 2022 EP, No Midwife and I Wingflap was like experimental rock for a horror game paranoiac, constantly jumpcutting between abject anguish and bright electronics. It makes you exhaustedRead More
Barker has achieved something rare with his weightless techno experiments: a sound that’s instantly identifiable as his own. His signature trick, perfected on four deliriously lovely records for Berghain’s label, Ostgut Ton, is to imagine dance music without the kick drums. And the effect, best enjoyed on headphones, is a full dunking into the blissRead More
Growing up in New York where so many rappers, singers, and DJs come from communities that fly their flag on Labor Day, I couldn’t turn on the radio without hearing hip-hop collabs and remixes featuring dancehall royalty like Super Cat, Buju Banton, Bounty Killer, and Shabba Ranks. I’ve always felt that the ability to blendRead More
Like the twin Ladies Gaga in its music video—premiered during last night’s Grammy Awards ceremony—I’m split in two over “Abracadabra.” That Gesaffelstein industrial sound hasn’t been fresh or cool since, like, 2015, one side grumbles, and I know Gaga has a better claim to it than most, but why does it feel like every popRead More
There’s reason to be skeptical of the calculated chaos that has critics fawning over skaiwater. Add a weeping sample here, throw in a burnt 808 pattern there, make a brash new rap sound palatable to poptimists… aren’t we a little tired of this after Travis Scott? But then I turn on a song quite literallyRead More
Imagine showing up to a strip club, paying for parking, going through security, grabbing a drink at the bar, and then as you turn to the dancers, the DJ cuts on this new Bruno Mars single, where, in a fake-sexy speak-sing, you hear lines like “Fat, juicy, and wet” and “That good kitty-kitty, good kitty-kitty/MakeRead More
Detroit producer CoffeeBlack is on his third straight collab album—Love at First Sight? with WTM Scoob, No Fakin with Wan Go, and now Knowledge Thru Friends with 8088i—that sounds as if it were born out of the kind of improvisatory jam session that you can always count on seeing in a music biopic. Of courseRead More
I can almost put my finger on a certain aesthetic that feels potent at the moment—it’s starry-eyed and windblown, private but ecstatic, rendered in cool tones but glowing with bright light. You can feel it in photos where sunlight catches water, or the distant lights of a city are seen from inside a plane. AndRead More
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