A ? of WHEN was inevitable. Reset, the 2022 album by longtime collaborators Panda Bear and Sonic Boom, was a joyful collection that felt like exactly what it was: the work of two wildly talented best bros riffing off one another’s strongest ideas. Enthusiasm was its defining characteristic: There’s Noah Lennox and Pete Kember’s mutualRead More
Late last fall, word suddenly got out about SML, Los Angeles’ latest torchbearers of slanted jazz. Following a snazzy New York Times profile and a second album that teased their squiggly sound out to delightful new levels, the quintet had two dates set at Frogtown scenester mainstay Zebulon, with each night comprising two sets inRead More
Think of the patience it requires to play in Horse Lords. You’ve trained your fingers and ears to the surgical fine point wherein you can play your instrument, cleanly and unerringly, against two or three conflicting meters. And then you bring this talent to bear on a piece like “Playing and Reality,” from their latestRead More
Have you heard the skaiwater diss? Which one? She has a couple… I don’t know. Like, don’t go head to head with me just because you put on a wig. I can pull up the DM receipts from fuckin’ 2020, like, come on. We can be friends…I think? I don’t know [laughs]. Have you talkedRead More
It’s only been three years since Feeble Little Horse last released an album—2023’s excellent, blown-out Girl With Fish—but between the canceled tour, a standalone single, and sporadic activity online since then, it feels like the wait has been far longer. Alas, that ends very soon; Feeble Little Horse have announced their new album, Bitknot, isRead More
The Jamaican patois is back on the Popcaan dancehall cut “Amazing Shape,” and while they’ve made better songs together before, the groove is smooth and he’s got just the right amount of dick puns: “You could make a dead man rise,” Drake sings, a little flat but still catchy. He found a new muse viaRead More
“I’ve always felt like I’m a slower person, compared to a lot of people,” Ana Roxanne said in 2023. She was on a tour stop in Europe, speaking about her debut album, 2020’s Because of a Flower, a beguiling collection of pooling drones, ambient noise, and echoes of her spellbinding voice. She was working onRead More
Sexyy Red’s breakout tape, Hood Hottest Princess, was filled with homages to the Southern rap that shaped her. She interpolated T.I.’s trap anthem “24’s,” spit over Project Pat’s menacing “Cheese and Dope” beat, searched for the hoes over a sample of Silkk the Shocker’s “It Ain’t My Fault,” and proudly proclaimed herself the “female GucciRead More
Girl Trouble are returning to their original label home, K Records, for their first album in 23 years. The veteran garage rockers will share As Is on June 26 as a joint release from K and their own label, Wig Out! Below, watch a video of Girl Trouble performing a new song from the record,Read More
Thundercat is the bard of absurdist masculinity. His career is a comic character sketch of a certain sort of dude: one who loves Mortal Kombat and named his cat after Tron; whose childhood changed course when he found out about Goku; who goes to Tokyo and buys a suitcase worth of anime; who simultaneously fleesRead More
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