Sexyy Red’s breakout tape, Hood Hottest Princess, was filled with homages to the Southern rap that shaped her. She interpolated T.I.’s trap anthem “24’s,” spit over Project Pat’s menacing “Cheese and Dope” beat, searched for the hoes over a sample of Silkk the Shocker’s “It Ain’t My Fault,” and proudly proclaimed herself the “female GucciRead More
Girl Trouble are returning to their original label home, K Records, for their first album in 23 years. The veteran garage rockers will share As Is on June 26 as a joint release from K and their own label, Wig Out! Below, watch a video of Girl Trouble performing a new song from the record,Read More
Thundercat is the bard of absurdist masculinity. His career is a comic character sketch of a certain sort of dude: one who loves Mortal Kombat and named his cat after Tron; whose childhood changed course when he found out about Goku; who goes to Tokyo and buys a suitcase worth of anime; who simultaneously fleesRead More
The most fascinating song on ARIRANG features little more than 98 seconds of silence. Named “No. 29” after South Korea’s 29th designated national treasure, it is a field recording of the Sacred Bell of King Seongdeok. Legend has it that the bell wouldn’t ring until a child was cast into the bronze; its sound isRead More
James Blake sometimes feels like pop music’s arch, ultra-serious older brother, floating above the scene with warbly torch songs that never quite come down to earth. He’s left his ghostly prints on artists ranging from Beyoncé to Rosalía to Lil Yachty, and it’s a testament to his influence how widespread his once novel, weightless styleRead More
Harry Styles, you have charmed me as of late. Not so much for your music as your…not flamboyance, but exuberance, maybe, or whimsy—qualities in vanishingly short supply with our current crop of male pop stars who don’t make backflips a fixture of their live performances. Your goofy grin while doing objectively goofy choreography that letsRead More
I had been considering the nature of nostalgia when I learned that Andrew Bird was rereleasing his 2005 album The Mysterious Production of Eggs, wondering whether it was possible to be nostalgic for something lost abruptly, or if nostalgia implied a loss so slow as to be imperceptible. Eggs wasn’t my introduction to Bird—2007’s ArmchairRead More
Adult/Child is similarly haphazard. On the box set, the disc is titled the Adult/Child Sessions in reference, perhaps, to the fact that it misses a couple of songs generally thought to belong on the lost album. “Life Is for the Living,” with its gratingly peppy lyrics and jaunty swing, would almost certainly have been betterRead More
Bad Bunny’s Debí Tirar Más Fotos has won Album of the Year at the 2026 Grammys. The Puerto Rican artist beat out Justin Bieber’s Swag, Lady Gaga’s Mayhem, Kendrick Lamar’s GNX, Clipse’s Let God Sort Em Out, Leon Thomas’ Mutt, Sabrina Carpenter Man’s Best Friend, and Tyler, the Creator’s Chromakopia. Harry Styles, who won theRead More
An anthology stuffed with previously unreleased material can feel like an entree made of kitchen scraps, but Arthur Russell’s involvement changes matters: After all, the vast majority of his wide-ranging oeuvre has only emerged in the years since his death from AIDS in 1992, at the age of 40. It’s incredible what passed for castoffsRead More
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