Julianna Barwick and Mary Lattimore have enough in common that it’d be weird if they hadn’t worked together. Both grew up in the South and found early inspiration in spiritually rooted musical forms that they could transform with technology. For Lattimore, that meant intensive training on the harp, the instrument of gods and angels, whichRead More
After completing South Korea’s mandatory military service, K-pop juggernauts BTS are now gearing up to release their first new album in six years. The as-yet-untitled LP is due out March 20 via Big Hit Entertainment. It’s their fifth studio album overall and follows 2020’s Be. What’s more, BTS are also teasing a 2026 world tour,Read More
The music in Marty Supreme is a central character, one as freewheeling, in-your-face, and impossible to resist as Marty himself. Though the ’80s and its attendant commercialism and sci-fi cheese have always been of particular fascination to Lopatin, his previous Froese-flavored scores only reflected the surface shades of his craft. Where his work as OneohtrixRead More
These characters frequently seek transcendence, whether through romance (the tender acoustic ballad “Away You Stride”) or music itself (“Little Left Hope” includes a proposal to start a band). If they don’t feel doomed from the start, they give up altogether: On “Pale Song,” the narrator believes their life could be written on “stone with aRead More
As usual with the artist known (for now) as irini, the music works neatly within its genre conventions, but, in its best moments, is imbued with a level of songcraft that’s rare in dance music. irini makes groovy club tracks DJs will want to get their hands on. He also, like the best traditional songwriters,Read More
There’s a right way to love Tems, and it starts with sacrifice. On Love Is a Kingdom, she says “mine” (as in, “You’re mine”) a total of 69 times—70 if you count the one-off “you not mine.” Most of these instances—57, to be precise—reside in track “Mine,” but its reiterations reveal the kind of amorRead More
Stress also comes through in the way Pos, for the first time in his career, is asked to shoulder the bulk of an album by himself. Part of the group’s appeal was the interplay between its vocalists’ clashing brands of observational whimsy: Dave’s smart-ass baritone versus Pos’ grounded tenor, both of which frequently birthed beguilingRead More
The entire quixotic notion of alternative rock as a commercial prospect was sputtering, too. Kurt Cobain had died the previous April, but the rock charts were still peppered with bands that had credible ties to the underground. Within a year, Live’s Throwing Copper would become the biggest rock album in America, helping to usher inRead More
When Woody Guthrie died at the untimely age of 55, in 1967, the pioneering folk singer left behind 28 linear feet of lyrics scrawled on, according to his archive, “tissue paper, onionskin, gift-wrap, napkins, concert programs, and even place mats”—scraps of ballads, union songs, and protest hymns for the next generation to sing. Guthrie’s prolificRead More
For a maiden voyage, Goon was a glitzy affair, studded with famous producers. Shine takes a different tack. Sure, Justin Vernon and Danielle Haim show up on a couple of cuts, but as songwriters, not performers. They seem to switch places with Jesso, a self-conscious gesture that speaks to the disc’s intentions: A drama withoutRead More
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