After recording alone at Sylvan Esso’s studio, Westerlund had friends like Califone’s Tim Rutili, saxophonist Sam Gendel, and violinist Libby Rodenbough make their marks, drawing out the songfulness of his pitched percussion and electronic washes—his kaleidoscopic mills of hand drums, shakers, metallophones, thumb pianos, flutes, field recordings, and so on. To call it a percussionRead More
Since 2017, They Are Gutting a Body of Water have evolved from Doug Dulgarian’s shoegazey, slowcore-influenced solo project into a dense, maximalist quartet that can best be described as the soundtrack to a hypothetical Mario Kart Level of Hell. The band’s fusion of drum ’n’ bass and breakcore with harsh, dense layers of guitar andRead More
Two decades after co-founding the Dodos with drummer Logan Kroeber, singer and guitarist Meric Long will release his first solo album under his own name. The record, Kablooey, is out this Friday, October 24, via Polyvinyl. Below, listen to the new album’s lead single, “A Small Act of Defiance.” Long worked on Kablooey in betweenRead More
It still might be his most successful attempt—“Oblivion” sinks to an absolute nadir as Parker aimlessly spritzes his falsetto over a limp dembow rhythm that barely musters an ounce of what, say, DJ Python would do with it. He wastes the first half of “Not My World” wafting through one of the emptiest, most nothingRead More
Following a smattering of billboard and poster teasers around the world, Rosalía has announced her new album—and it arrives in less than a month. Lux, the Spanish pop star’s fourth studio album, will be released November 7 via Columbia. Details on the follow-up to 2022’s Motomami are otherwise scarce, but you can check out theRead More
At a 1976 concert featuring American saxophone superstar Stan Getz and Brazilian singer and guitarist João Gilberto, Getz welcomed his partner to the stage in a tone of voice that reveals just how gobsmacked he remained by his genius. “The most individual singer of our time, a true originator,” he enthused. “His curious ability toRead More
Tame Impala were once a record collector’s idea of a rock band. Then they were a rock band that was one guy and that one guy was also a record collector. 2015’s Currents took that proposition as far as it could go, and when Kevin Parker dropped “End of Summer” as the lead single fromRead More
In the summer of 2015, Carly Rae Jepsen was looking to the future: “My desire now,” she told an interviewer, “is to see how far I can stretch pop.” Her latest moves had evolved from the good-enough charm of Kiss—the album that contained her unexpectedly planet-dominating hit “Call Me Maybe”—into glossier, vintage-inspired territory: gated drums,Read More
The technology Sudan uses is scrappy, not cutting-edge—she employs a vintage toolkit of a Roland SP-404 and DAWs emulating the drum machines that defined 1980s Chicago house and ’90s Detroit techno. Collaborators include her twin sister, her cousins, and several friends from the Midwest. For all of its post-human imagination—Sudan’s alter-ago this time is “GadgetRead More
Even on her debut EP, at just 22 years old, feeo sounded like the weariest of old souls. She sang of a choking fear, of bombs falling like tears, of staying up to hear her lover leave because she couldn’t bear the thought of waking up to “haunted sheets.” Over toe-scuffing downtempo beats and wistfullyRead More
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