Noah Lennox has spent the better part of the past half-decade as an all-star collaborator, demonstrating just how adaptable his grown-up choirboy falsetto can be over lo-fi, French touch, and mariachi. It’s no surprise, then, that his first solo outing as Panda Bear in five years is about the necessity of having someone in yourRead More
Whenever the TisaKorean song sounds like he’s flirting through the intercom of a NYC apartment building that hasn’t been renovated in decades, I’m in. Like earlier tracks “Backseat” and “Got Me Trippin,” “lEgs In tHe aIR” uses those muffled, pitch-altered vocals for a lascivious, struck-by-Cupid’s-arrow ditty that feels like scrolling through cute relationship memories inRead More
The first phase of Tyler, the Creator’s Chromakopia opens in the middle of a bad dream. If Call Me If You Get Lost was a victory lap that lauded his titanic success with luxurious swagger, then “NOID”—the first full song from the forthcoming album—makes a sharp turn to the flip side with his own mangledRead More
This week, pop songwriter and producer Evan “Kidd” Bogart revealed a secret hiding in plain sight on Rihanna’s 2006 hit “SOS”: “The whole second verse of that song is ’80s song titles strung together as sentences,” he said in a viral interview snippet that mapped out the references line by line. Mk.gee’s new single “Rockman”Read More
Steely Dan have been firmly back in fashion for years now, but no one has picked up Donald Fagen’s glass of kirschwasser and run with it as maniacally as Geordie Greep does on his debut solo single. If black midi did an honorable job of getting math-rock obsessives to listen to theater kid music, “Holy,Read More
When 2hollis opened a portal through New York’s Terminal 5 in August, teenage hotheads rejoiced, locking limbs as his synths blared from cavernous speakers. Ken Carson’s Chaos Tour was a breakthrough for the bleach-blonde rapper-producer as he brought the angsty dance-pop of his June album boy to life. 2hollis opened every night of the tour’sRead More
The Weeknd and Playboi Carti are the most popular they’ve ever been, with a combined monthly listener count that’s 257 times the population of Luxembourg. It makes sense they’d drop a joint flex called “Timeless,” in which they moan stock tropes about being so successful they’re eternally famous. What’s surprising is how tasteful the tuneRead More
Sabrina Carpenter isn’t afraid to speak her mind. Her Polly Pocket persona might suggest she’s an easygoing lover, unbothered by her partner’s screwups, but don’t get comfortable. “Don’t mistake my nice for naive,” she declares on “Good Graces,” a twinkly Miami bass-influenced highlight from her new album Short n’ Sweet, issuing a simple warning toRead More
Kassie Krut was born out of the ashes of the great Philly math-rock band Palm, who disbanded in summer 2023, less than a year after the release of third album Nicks and Grazes. Like Aliens, or Fury Road, this sequel is, somehow, even better than the original. On their debut single for Fire Talk, “Reckless,”Read More
Whenever someone mentions responsive desire, I immediately think of dead prez’s stic.man suggesting on their 2000 single “mind sex,” “Before we make love, let’s have a good conversation”—a sapiosexual’s dream. On the other side of the spectrum is spontaneous desire, a more immediate urge—what Victoria Monét explores in her new collaboration with Usher, “SOS (SexRead More
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