Pop Out Summer has lasted a little too long for Kendrick Lamar. “I think it’s time for me to watch the party die,” he menaces on his latest song, a dour untitled track released, on Instagram, during the VMAs. The “I think” belies his conviction. Channeling the worn black Air Force Ones in the accompanyingRead More
In Philly, in D.C., and in Chicago right now, all the rappers are in competition to see who can best capture the doomsday vibes of the Book of Revelation. The winner might be Lil Durk protégé Chuckyy, a new Chicago drill lightning rod with a voice that sounds like he’s rapping with nose plugs. OnRead More
Jane Remover constructs songs with so many big, buzzing parts that it feels like they’re going to burst into fireworks. They can be equally dazzling and overwhelming. But her wonderful new song “Magic I Want U” sheds the weight of past records in favor of a pure airiness, while still retaining that DAW wizardry. BeamsRead More
Brat Summer (RIP) has just enough gas left in the tank to send Billie Eilish crashing through the fourth wall. She’s the latest celebrity guest to appear beside Charli XCX on this new remix of “Guess,” a weird noodle of an electroclash track about how annoying it is when everyone’s up in your business, butRead More
Of course Lil Yachty is a fan of the preppy white rapper ian: Yachty is 100 percent the type of guy who just says shit to make people mad. (Remember the whole “I’ve never listened to 2Pac” thing?) Still, I’m disappointed: How does a superstar rapper/ghostwriter for the biggest male artist in the world letRead More
There is nobody better at committing to the bit than Katy Perry. When singing in Simlish, she puts her whole diamond into it. Her Vegas residency, launched in 2021 during the absolute nadir of her career, featured an extended setpiece in which she interacted with a giant toilet. Sometimes, the universe completes the bit forRead More
It’s always a little performance when you write about someone else. The late writer Janet Malcolm once famously staked out an argument that, on a certain level, a journalist writing about another subject is “morally indefensible.” Malcolm’s opening thesis in her 1989 essay The Journalist and the Murderer relates more to big New Yorker profiles,Read More
When Pusha T eviscerated Drake on 2018’s “The Story of Adidon,” he set the bar for all future Drake teardowns. The blackface cover art. Pusha’s methodical and theatrical delivery, building flawlessly to the Adonis reveal and the mocking “tick, tick, tick.” A concise three minutes that permanently cracked the image Drake had been meticulously craftingRead More
Just over five years ago, Pusha T went on the Joe Budden Podcast and reiterated his claim that, in the wake of “The Story of Adidon,” Drake was offering flights on private jets and as much as $100,000 for incriminating information about Pusha. No one bit; some even recorded their phone calls with the would-beRead More
I know this came out almost three weeks ago, but it’s going to be 82 degrees in New York today and it’s fair to say that Sabrina Carpenter’s “Espresso” is currently in pole position to be this year’s song of the summer. The luxury nu-disco tune’s got its hooks in me, and if you haveRead More
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